Intertextual identity reflections on Jewish-American artists

Cover of: Intertextual identity |

Published by Pàtron in Bologna .

Written in English

Read online

Places:

  • United States,
  • United States.

Subjects:

  • American literature -- Jewish authors -- History and criticism.,
  • Jews -- United States -- Intellectual life.,
  • Judaism and literature -- United States.,
  • Jews in literature.

Edition Notes

Book details

Statementedited by Franco La Polla, Gabriella Morisco.
SeriesBiblioteca del Dipartimento di lingue e letterature straniere moderne dell"Università degli studi di Bologna ;, 21
ContributionsLa Polla, Franco., Morisco, Gabriella.
Classifications
LC ClassificationsMLCM 2002/01584 (P)
The Physical Object
Pagination193 p. ;
Number of Pages193
ID Numbers
Open LibraryOL444484M
ISBN 108855524321
LC Control Number98157116
OCLC/WorldCa39008807

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Australian scholar John Fiske made this distinction. Horizontal intertextuality means the same level references, i.e., books referring to other books. On the other hand, vertical intertextuality means a book referring to films, songs, etc.

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In The Great American Scaffold, Austermuhl examines the intertextual exoskeleton that supports and preserves the essential precepts defining America's national identity. His book plants itself at a disciplinary crossroads, drawing upon "approaches from political studies, presidential studies, communication, American studies, as well as applied.

An intertextual poiesis: the luminous image and a ‘round loaf of Indian and Rye’. New Writing: Vol. 17, No. 3, pp. Intertextuality is a sophisticated literary device making use of a textual reference within some body of text, which reflects again the text used as a reference.

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Intertextual Geographies of Migration and Biracial Identity Intertextual Geographies of Migration and Biracial Identity. Light in August and Nella Larsen’s Quicksand.

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In secondary literature on the book of Judith 2, commentators portray a large number of intertextual links between Judith and other biblical and. The use and reception of these impolite intertextualities rely on familiarity with the intertextual source in question.

The creative recycling of privileged authoritative texts, use of metaphorical language, invoking of gender identity, and reproducing of particular ideologies played a pivotal role in performing this intertextual impoliteness.

The term ‘intertextuality’ is now common in literary discourse. It is used most often and most simply to refer to literary allusions and to direct quotation from literary and nonliterary texts.

But this is only one small part of the theory, which has its origins in the work of Julia Kristeva () and Mikhail Bakhtin (). In his book The African Imagination, Abiola Irele points out that African literature "carries with it a particular ambiguity of reference in its present and common usage" (5), by which he means that because of its colonial history Africa's literature can rarely be defined in either national or linguistic terms, as is the case elsewhere.

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Intertextuality is the shaping of a text's meaning by another text. Intertextual figures include: allusion, quotation, calque, plagiarism, translation, pastiche and parody. [1] [2] [3] Intertextuality is a literary device that creates an ‘interrelationship between texts’ and generates related understanding in separate works (“Intertextuality”, ).

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The resonance of Nikolai Gogol's name, work and tumultuous existence transgresses the pages in layers of meaningful interpretation of Otherness. The aim of the paper is to explore the extent to which an intertextual reading of the novel can provide a better understanding of the multitude of socio-cultural and identity questions the book.

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